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Gear
Magazine, April 2001.
Article : Jason Harper
Transcribed/formatted: Garbage2.com
IN
A DJ WORLD, GARBAGE ARE THE LAST ROCK BAND STANDING.
ONLY ONE WOMAN IS MESSED-UP ENOUGH, VULNERABLE ENOUGH AND
KICK-ASS ENOUGH TO KEEP IT ALIVE - SHIRLEY MANSON
To
be a true rock star, you have to give yourself over. Completely. It`s
gotta start
from a real place that`s got nothing to do with fame or money. It`s gotta
be messy - Iggy Pop messy. You gotta stick a tube inside the ugly places
and spew it all over. You gotta damn the consequences.
Which is why rock has left the building.
And exactly why the band Garbage and it`s front woman, Shirley Manson,
are the final holdouts. The final holdouts, at least, that don`t sound
quaintly outdated. That aren`t on a reunion tour. The only ones left that
matter.
Shirley Manson is not a prepackaged virgin-`til-married. Manson`s career
was never manipulated by boy-band impresario Lou Pearlman; Manson never
auditioned on a show like "Popstars". Manson never learned to shut her
trap.
Shirley Manson is pretty fucked up.
Shirley Manson is a rock star.
At age 34(she has some trouble remembering-" I`m 33;no,34,wait..." ),
Her two very different sides-the yin and the yang of Shirley Manson,if
you will
-are in a constant pitch. You never know which one your`re gonna get.
The side most publicly acknowledged is the yang; the tough chick, rough
rock girl-attached like an umbilical chord to a not-to-be-fucked-with
attitude.The
one who uses sexuality as a weapon: "Please me , tease me, go ahead and
leave me," she spits on the song " I think I`m Paranoid" on `Version 2.0.
It`s also the side unafraid to unleash jagged comments about those she
disdains ( run for cover Ms.Aguilera-run ). Yang Shirley.
Yin Shirley, however, is vulnerable, thoughtful, sweet even- she`s the
one who knows it`d be best to not talk about all her intimacies and vulnerabilities,
but simply can`t help herself. It`s the Shirley who`s insanely likable,
energetic, powerful and fervent about her fans.
And today we have...Yang Shirley. It`s Thursday, mid February, at lunchtime.
A man sitting behind her leans over and touches her by the arm, and Manson
goes rigid in her chair. It`s as if the innocuous touch- he`s pointing
out that her long black leather coat has fallen to the floor-sent a currant
of electricity into the red-haired rocker.
She does not like to be touched.
" I really don`t," she says, the Scottish lilt curling around her vowels.
" I used to be very dramatic and kissy-kissy,`Oh,darling.` " Her voice
goes cold. "I stopped doing that. When your in a rock band, everybody
wants to touch you. I want to choose who touches me. "
It`s the proverbial morning after. We`re inside Pastis, a restaurant in
Manhattan`s meatpacking district ( an area with not-so-wholesome smells
) .
Manson has a sensible, wheeled travel bag with her ( very flight attendant
), as she`s flying back to a deep-frozen Madison, Wisconsin, where the
other three members of the band live, and where they`re recording Garbage`s
third album. Manson looks tired. Her eyes are bloodshot, and she`s fretful.
" I feel paranoid and neurotic this morning," she says. The easy back-and-forth
we`d enjoyed the night before is gone. And the positivity she`d displayed
then is now banded and clipped. " I do this even with close friends, "
she murmurs. " I just feel... weird after sharing personal stuff. "
Which seems strange because on the yin side, Manson`s propensity to share
is legendary. In one magazine , she said that she wanted to pee in a mans
bellybutton. She posts her studio diaries on the band`s website; they
include ruminations on masturbation and her period. One entry say`s she`s
" dreading " the thought of flying to New York - to do this photo shoot.
" all those makeup artists, hairdressers and stylists who are used to
working with supermodels, all huddled around you in a trailer eyeing up
your fatty bits. Oh god help me. "
The
night before: Manson invites me up to her hotel suit. It`s supposed
to
be the newest, most chic spot in town, but the room could only be called
a suit by New York standards, where space is an absolute commodity.And
the carpet is ugly. A bottle of unopened Piper champagne sits in a stainless-steel
bucket on the table. The ice is melted. I sit down on the couch and eye
it.Manson smiles, and we agree to pop the bottle. Manson`s energy is immediate;
it reminds me of Garbage`s songs- full, manic, barely throttled. Instantly
likable. She zips out to the hall to get ice with an admonishment not
to look at her private things." I don`t mind getting the ice," I yell
after her.
" But I know where it is- you don`t ," she replies.
Glasses filled, Manson sits in a chair, legs tucked under her. She`s saying
it`s unfair that female musicians are supposed to look hot for photos.
" Scott Weiland can just show up in a t-shirt and sit there, and it`s
okay. But the expectations on a woman can drive you crazy. Thats why someone
like Fiona Apple locks herself in a bathroom afterward, crying,. If Jennifer
Lopez could write songs like Fiona`s, she wouldn`t have to spend so many
hours in the gym."
With Manson, everything is about music. It is the main engine to her existence,
streaming throughout the conversation and washing over each and every
topic. Everything from sex to relationships is couched in terms of music,
like an invisible sounding board to which all things must be compared.
It is an inviolate subject. Which would explain why she doesn`t have a
Carson Daly- like water -off-my-back attitude toward bubblegum bands.
" There is a place for manufactured pop" she says. " It`s fine , as long
as the bands don`t masquerade as something else. I love Britney Spears
`...Baby One More Time.` It`s when they start taking themselves too seriously
and speak about themselves as artists that I get angry. They get this
smugness. " I comment about 14-year-olds running the airwaves, and she
says, " I`m all for the power of 14-year-olds. If 14-year-olds were actually
running it, it would be fantastic.
But it`s the 40-year-olds who are behind the music. It`s like a sophisticated
pedophilia ring. It`s yucky. "
She used to hate Britney Spears, but has changed her mind. The 16-year-old
panty -wearing Spears on the cover of Rolling Stone disturbed her . "
But now that she`s older and has a sense of humor about the whole thing,
I like her. Out of all of them, she seems the most real. Everybody eventually
ends up liking Britney. You can`t help it. Now Christina Aguilera..."
She gives an arch look.
Manson has scrubbed the makeup off her face, and her skin is Casper white.
Her hair is cut in fashionable layers ( her web diaries talk about how
she took the scissors to herself trying to make " improvements " -apparently
it grew in). But in that pale panorama of her face, her green eyes are
amazing. Their depth and beguiling color aren`t aptly captured by film
or video.
There is no talk tonight with Shirley about reviling her own looks.
( tomorrow though, I`ll ask her about her appearance and she`ll say, "
I`ve always hated the way I look, but I`m trying not to talk about that
anymore." ) " I don`t measure myself by the desire of men," she says.
I`ve never felt that as a motivational force. Besides, it doesn`t take
much to be attractive to men."
She met her husband, an artist who she married in `96, when he sculpted
her for an LP cover. " It`s so Demi Moore- Patrick Swayze," she sighs.
How did she know that he was to one? " If I hadn`t met him, I think I
would have killed myself," she says bluntly. " He turned me around. He
changed my point of view 180 degrees." Manson`s lyrics are soaked in a
roiling, bruised sexuality.
Interview after interview ( probably because all us horny journalists
ask her about it ) she mentions her ability to give amazing blow jobs
( " Great head, " she affirms ). In her web diaries, she complains that
rock `n` roll is supposed to be sex and drugs, but that the drugs don`t
work for her and she`s not getting sex. But she`s firm about her fidelity
to her husband. " A few hours of sex isn`t worth it. "
Between touring and recording, though, the two are more often apart than
together ( he lives in Edinburgh ). Temptations ? She says " When I meet
somebody, it`s never on a level playing field. Even if I would think a
guy is hot, often he has a chip on his shoulder. An attitude like,` I`ll
show her.` Or it`s the opposite: they`re already completely infatuated
with me.
" A man has to have a strong sense of my emotional being then my physical
being. If he doesn`t , sparks fly. If he doesn`t understand that `Leave
me alone` means ` Rip my pants off and fuck me up the ass,` it doesn`t
work."
It
was always about the music. As a teenager growing up in Edinburgh,
Scotland,
Manson`s manic energy and black emotional swells-hormonally supercharged-
found a place to berth within the bosom of rock chickdom.
Namely, original riot grrrls like Siouxie Sioux and Chrissie Hynde. Manson
was disaffected throughout high school, and says she was teased relentlessly.
In 1985, she joined the band Goodbye Mr Mackenzie as a backup singer and
keyboardist at the invitation of lead singer Martin Metcalfe, who mostly
wanted to shag her. The ensuing relationship with Metcalfe, both romantic
and professional, was chaotic, as he indulged in all the rocker`s addictive
cliches. In 1994, several members of Mackenzie splintered into another
band named Angelfish, with Manson as it`s charismatic head.
But to Manson`s thinking, things were complete shit, and despair was about
neck-level when drummer/producer Butch Vig ( who produced Nirvana`s Nevermind),
guitarist Steve Marker and bassist Duke Erikson saw an Angelfish video
on MTV. They were looking for someone to front their band, and arranged
to meet Manson in London. Manson put on a bit of attitude, disagreeing
with a lot of what the " boys" said. The boys liked it. They invited her
to Madison to record a song. Things gelled. Garbage and their eponymous,platinum-selling
album, with hits " Queer " and " Stupid Girl," followed.
Version 2.0 was released in 1998, and went straight to No.1 in the Brit
charts and was nominated for two Grammys. The album crystallized the band`s
tough-but-catchy sound. In many ways their sound is pop rock, but pop
rock with the dents and scrapes of real life scattered throughout. Manson
complains about the boys` inveterate knob-twiddling-" Days and days pass
with them looping drums," she says- but it lends the songs an exacting,
tight exterior that you could bounce a quarter off of.
Comparatively speaking, the band suffers little friction. The men are
older than Manson, and happy to leave the spotlight to her. "No Doubt
and Gwen Stefani had a huge tension in the band," Manson says. " But they
were in another place in their lives. My band is different. It`s handled
with ease."
The new album, expected this summer, distills the elements of their sound
even further. According to Manson, the influences are more exaggerated.
It veers a little more to electronica; the random ballad is thrown in;
and there is an 80`s feel to some of the songs. But, damnit, it is rock.
" Rock bands are delicate entities. We`re one of the few trees still left
in the forest." Manson says. " I`m amazed when people say that they`re
relieved that rock is dead; that the day of hero worship is over now that
DJ-led, spiritual dance music is in. To me, the DJ is a dictator, an individual
leader. DJ`s are more dictatorial than a band could ever be. It`s the
glory of self. It`s not any worse, but it`s not any better."
The musicians that Manson speaks highly of are inevitably the knocked-about,
lived-in-the-life rockers. Courtney Love, Billy Corgan, Iggy Pop, and
Fiona Apple, even Dolly Parton, earn Manson`s respect. And Eminem. " Eminem`s
last album is one of the great records of the decade. He`s like John Lee
Hooker or Hank Williams. It`s folk, but it`s dressed up in a different
way. The first time I heard it , it made the hair stand up on my arms."
One need only check out Garbage`s website to realize they`re not a band
of pretensions ( they do it themselves, and answer fan mail ). When they
do run up against the industry's dark side, strangeness ensues. Manson
was once thrown out of the way by one of Whitney Houston`s bodyguards
who was clearing the hall for the diva during an awards show. Anyway,
it isn`t about power for Manson-it`s about playing live. " Being on stage
is like coming for two straight hours. I call it the most expensive drug
in the world, since it`s like 20 grand to put on a show." Asked what her
other most favorite thing is, she replies, " Orgasms."
We order another bottle of champagne from room service. " Did you always
know you`d be doing this? I ask.
" I thought I`d be a writer and journalist."
I stand up, pull her out of her chair, and trade places, leaving my notebook
on the couch. She takes it up, precedes to ask me personal questions while
taking notes. " All your questions are about sex." I say.
" Yep. "
" It`s
hard being a human being." It`s a refrain she repeats throughout the
night,
sometimes apropos to nothing. " Everything seems great now, after a bottle
of champagne," she says. " But tomorrow I`ll wake up and it`ll be different."
It must be hard, I say, to sacrifice time with husband and family for
music. Manson gives a long, hollow look. " Lonely," she finally says.
But, as much as rock defines her, as much as she has sacrificed for it-it
also is something she resists. She says she often rewrote lyrics to take
out the emotional sting. This album, she`s leaving them as they are. She`s
also in therapy. " As I get older, I realize that I have to accept what
I do for a living.
The truth is, only when you really give yourself up can you make great
art.
I`ve never really done that before this album.
" It comes with risk. Everybody who brings art to the public form desires
to be liked. If people reject it , it is a horror. And no matter what,
not all people will like it. " Does rejection bother her? " It didn`t
used to. But I realize now that I always had just one foot in the camp."
" I`d like to give myself a break sometimes. I`d like to stand back and
not be so hard on myself-not give a flying fuck." So why is she so hard
on herself? She shrugs. Smiles. " I think it`s chemical."
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